A pimp or whoremonger.
"Ha what comyth this wenche here wyth this putyer in this contree?"
William Caxton, Six bookes of the Metamorphoses of Ovyde (1480).
A daily calendar of the world's oldest professions
A pimp or whoremonger.
"Ha what comyth this wenche here wyth this putyer in this contree?"
William Caxton, Six bookes of the Metamorphoses of Ovyde (1480).
A fancy name for someone who puts on operas, concerts, or other public entertainment.
Of the Coney Island dance hall impresarios of the 19th century: “How seriously all these men out in front of the dens take their vocations. They regard people with a voracious air, as if they contemplated any moment making a rush and a grab and mercilessly compelling a great expenditure. This scant and feeble crowd must madden them. When I first came to this part of the town I was astonished and delighted, for it was the nearest approach to a den of wolves that I had encountered since leaving the West.”
Stephen Crane, Other Writings About New York, “Coney Island’s Failing Days” (1894-6).
One of a class of lyric poets, living in southern France, eastern Spain, and northern Italy, from the 11th to the 13th centuries, who sang in Provençal (langue d'oc), chiefly of chivalry and gallantry, sometimes including wandering minstrels and jongleurs (OED).
“When in the twelfth century unsatisfied desire was placed by the troubadours of Provence in the centre of the poetic conception of love, an important turn in the history of civilization was effected. Antiquity, too, had sung the sufferings of love, but it had never conceived them save as the expectation of happiness or as its pitiful frustration. The sentimental point of Pyramus and Thisbe, of Cephalus and Procris, lies in their tragic end; in the heart-rending loss of a happiness already enjoyed.”
J. Huizinga, The Waning of the Middle Ages (1924).
Someone who draws pictures or appeals on the sidewalk to solicit donations from passersby. Chalk it up to human ingenuity.
"The pavement artist, or 'scriever,' as he is called in the profession."
Marks, Pen & Pencil Sk. (1894).
A professional copyist. A notary. A clerk. A penman.
"For some years now she had had scriveners at work on the thousand copies of the Lotus Sutra that were to be her final offering to the Blessed One. They had their studios at Nijo, which she still thought of as home. Now the work was finished, and she made haste to get ready for the dedication."
Murasaki Shikibu, The Tale of Genji (11th Century).
[Translated by Edward G. Seidensticker.]
“And yet, artists have long been judged bytheir capacity to imitate reality to perfection—a criterion that still prevailed in our own culture until recently. The Greeks had a wealth of anecdotes to extol their painters: painted grapes that birds tried to peck at, equine images that horses mistook for their fellow creatures, and a painted curtain that the artist’s rival demanded be lifted in order to reveal the picture hidden beneath. Legend has credited Giotto and Rembrandt with the same sorts of feats, and the Chinese and Japanese had very similar myths concerning their own famous painters: painted horses that leave the picture at night to graze and dragons that fly into the air as the artist applies the finishing touch. In North America, the Plains tribes made a mistake in a similar vein when they first saw a white painter, Catlin, at work. He had drawn one of them in profile; another, no great friend of the first, cried out on seeing the picture that it proved the model was but half a man. A deadly fight ensued.”
Claude Lévi-Strauss, Look, Listen, Read (1993).
[Translated by Brian C. J. Singer.]
A member of the class comprising small farmers and tenants, sharecroppers, and laborers on the land where these constitute the main labor force in agriculture (American Heritage).
"The peasant's ordinary days, however, were spent in steady labour on his own lands and on those of his lord. The rhythm of the seasons held him in thrall. Ceaselessly he laboured; preparing, planting, tending, reaping--round and round he went with the passage of the months."
Six Medieval Men & Women, "Richard Bradwater," H. S. Bennett (1955).
"As soon as you're born, they make you feel small
By giving you no time instead of it all,
Until the pain is so big you feel nothing at all.
A working-class hero is something to be.
A working-class hero is something to be.
They hurt you at home and they hit you at school.
They hate you if you're clever and they despise a fool,
Until you're so fucking crazy you can't follow their rules.
(Refrain)
When they've tortured and scared you for 20-odd years,
Then they expect you to pick a career,
When you can't really function you're so full of fear.
(Refrain)
You've been doped with religion and sex and t.v.
And you think you're so clever and classless and free.
But you're still fucking peasants as far as I can see.
(Refrain)
There's room at the top they're telling you still.
But first you must learn to smile as you kill,
If you want to be like the folks on the hill.
(Refrain)
If you want to be a hero, well just follow me.
If you want to be a hero, well just follow me."
John Lennon, Working Class Hero (1970).